SMILE NOW...CRY LATER IN DTLA

Been wanting to bust out these colorful characters for a while now!
Click the video below to check out the making of the mural.
Video by Reggie Reagor. (IG @reggiereagor)

Some more pics below for you to enjoy. Go see it in person in DTLA on 6th near Union!

SAN GABRIEL VALLEY GRAFFITI ARTISTS EXPLAIN THEIR CONTROVERSIAL METHODS, IDENTITY | SGV Tribune Projects

Recent local story in the San Gabriel Valley Tribune about why we chose a 10 minute trek from the San Gabriel Valley to DTLA to promote our graffiti art and murals when we were younger (and older).

Check out the story, some great pics and opinions from several of my contemporary SGV artists.

Read the full story..click on the image.

Read the full story..click on the image.

MAN ONE IN TULSA

Although painting in hot, humid, and thunderstorm conditions of up to 110 on the heat index is not one of my specialties, I was able to get a nice production done over a couple days last week while visiting Tulsa, Oklahoma. Thanks to @JakeBson (aka YoMoms) for teaming up with me and getting this wall for us!

Source: http://www.manone.com/

MI ABUELITA (RIP)

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Happy New Year everyone...

My first post of 2011 is dedicated to the memory
of my Abuelita who passed away just before Christmas
a little over two weeks ago.

She meant a lot to me and our entire family. She was
a true matriarch in every sense of the word.

At the age of 93 she had lived a long and prosperous life.

She was full of energy and her spirit will live on forever.

Here is a portrait I painted of her after she passed and was displayed next to her casket.

This is the way I wanted everyone to remember her.

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Maria Angelita Arenas Cano
Aug.15, 1917 - Dec.22, 2010

Abuelita, te quiero mucho.
Que en paz descanse.

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THEY CLAIM I'M A CRIMINAL

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"They Claim I’m a CRIMINAL"
My newest mural in South Central Los Angeles. It was commissioned by the Southern California Library located at 6120 S. Vermont Avenue, Los Angeles, California 90044

The first thing I noticed when I saw the wall were the street poles located directly in front of the mural. They cast an awful set of moving shadows across the wall throughout the day. So rather than fight it, I embraced it. The theme of incarceration and enslavement automatically entered my mind. Wouldn't it be cool to paint prison bars on the wall and use the posts as 3 dimensional aspects to the mural?

When I decided to feature CAPA and Mothers ROC as the central imagery, it all came together and made perfect sense. Depending on what time of the day you view the mural, the figures are either locked up or free!

I included images of local youth inside the shirt pattern of Michael Zinzun to denote that he was a leader that worked with people to make change. He never did it for them.

I had dozens of kids come up to me and ask that I photograph them and immortalize them in the mural, only a few of them fit unfortunately. But I was able to photograph and depict Auntie who is a local celebrity of sorts, everyone knows her. I love including neighborhood folks in my murals, it makes it special and allows for ownership from the community.

You'll notice my "popo" characters or spirits who are taking the keys to people's future and tagging up the "Criminal" graff piece. They look like some kind of angel but wear riot gear helmets, so you be the judge. The hands at the bottom of the mural represent those defying incarceration and enslavement. On the other wall, the hands are braiding powerful messages directly into the hair of the woman: empower, organize, and educate.
-Man One © 2010

(slideshow at bottom of page)

WALL DESCRIPTION (by SoCal Library Staff)
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Because we are tired of living in the shadow
of violence

Because poverty is violence
And more police cars in the neighborhood
than parks is violence

Because we are weary
of seeing those we love locked in cages

Because we are not criminals

We offer this mural

Of people just like us:
tired and weary
angry and most of all
loving

People just like us
who came together
to fight back
defend build and transform the places we live in

We offer this mural
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The Southern California Library documents histories of community-led resistance to challenge racism and other systems of oppression, and sustain possibilities for freedom. The Library holds the historical documents of the groups in this mural. All are welcome to come inside and use them.
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MOTHERS RECLAIMING OUR CHILDREN
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All Prisoners Are Somebody’s Children
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Mother’s ROC (MROC) invited all mothers and others struggling on behalf of their children to be seen, heard, and felt in the interest of justice. The mothers transformed their caregiving into activism and the greater project to reclaim all children, regardless of race, age, residence, or alleged crime.

They struggled in a spirit of hope, guided by prayer, to reclaim their children through human action. MROC made no judgment about the innocence or guilt of those whose families came to the group.

While Black women’s leadership and participation formed the core of MROC, women of all backgrounds, and some men, also joined the group, united by the purpose to free loved ones who were imprisoned throughout California. The group identified with activist mothers from around the world, in places like South Africa, Palestine, and Central and South America.

Mothers ROC Believed
Knowledge is the path to power
The responsibility is to witness and to tell
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To accomplish their goals, MROC:
Studied the rules of the court system, attended each other’s trials, held demonstrations outside courthouses and police stations, sponsored monthly legal workshops, and researched the criminal justice system.

MROC demanded:
An immediate end to the War on Drugs; the repeal of the “three strikes” law;
more funding for public defenders; and an end to mandatory minimum sentencing laws, racial profiling, warrantless searches, and the use of electronic databases to identify alleged gang members.

Although the group MROC is no longer formally together, the spirit of the ROCers lives on in all of us still willing to fight and live for our children and communities.

If it takes a village to raise a child then it takes a movement to
Reclaim Our Children
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Michael Zinzun and Coalition Against Police Abuse
"WE WON'T STRUGGLE FOR YA ... BUT WE WILL STRUGGLE WIT'CHA"
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Michael Zinzun was a community organizer, former member of the Black Panther Party for Self-Defense, co-founder of the Coalition Against Police Abuse (CAPA), and a founding member of Community in Support of the Gang Truce.

CAPA was formed in L.A. in 1976 in response to a wave of police shootings, beatings, and harassment. CAPA’s membership has been drawn from “the Black and Latino communities, workers, churches, the gay community, the women’s movement, and concerned individuals.” CAPA provided counseling and support for victims of police crime, and maintained extensive files both on officers and the systemic practices of police abuse, which they shared with those victimized by police and all those fighting back. These files are now held in the Library.

It was the leading plaintiff in a lawsuit that exposed the unlawful police spying against CAPA and other community organizations, culminating in the disbanding of the infamous spy unit of the LAPD—the Public Disorder and Intelligence Division, a payout of $1.5 million in damages, and the release of names and identities of the undercover officers illegally engaged in political espionage. Michael and CAPA also led several voter initiatives to establish a civilian review board to require the LAPD to replace the biased and ineffective review process of the Los Angeles Police Commission.

The Answer Is Community Control of Police
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CAPA was part of a broader movement to end police brutality, end sexual violence by police against Black and Brown women and men, establish and expand gang truces, and build the consciousness and empowerment of people to control the fate of their own communities.

Its demands linked harassment, beatings, and murders of local Black and Brown folks by police with deportations, detainment, harassment, beatings and murders of immigrants. CAPA helped found the Community in Support of the Gang Truce to maintain, expand, and politicize the 1992 peace agreement between different gangs.

Michael spoke around the globe in such countries as Namibia, Cuba, Brazil, China, and across Europe on the issues of racism, police abuse, and the need to link local, national, and international struggles against all forms of economic and social oppression. As a result of his protests, he was arrested more than a dozen times and suffered severe physical damage, including the loss of sight in one eye when he objected to the beating of a homeless man by two police officers who then beat him. Michael died in 2006 at the age of 57.

All Power To The People
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Slideshow:


Check out some great photos by Eriberto Oriol of this mural on his website:
Forbidden Art LA

Click here to view more pics on my Flickr page

GAP: KIDS EVENTS

The GAP store (on Robertson in Beverly Hills) recently asked me to do a couple live painting events for them.

It may not be the usual type of live painting event I am used to doing, but what the hell (I mean heck), I'll do anything for the childrenz!

They are the future of the world, so why not expose them to some graff stylez!

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Enjoy the pics and the little vid I knocked out:



Smiles everyone!

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Sharpie markers for the detailed work of course!

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Check out more pics from these events on my Flickr..